This is my interpretation of 'Asleep' by The Smiths. Of course, the original is just piano and vocals, so it was quite a challenge to translate it t...
This is my interpretation of ‘Asleep’ by The Smiths. Of course, the original is just piano and vocals, so it was quite a challenge to translate it to guitar and keep the base notes relatively intact. At the time of writing it’s the only guitar version I’ve ever heard of ‘Asleep’, so I’ve nothing to compare it to for accuaracy, but it sounds convincing enough. It’s not the complete instrumental, just an exerpt showing you how to play each section. It’s very nice to play, especially on an acoustic. There’s a part in it where you have to stretch across 5 frets, which can be tricky! Sorry, but you have to do this stretch because the low E is dropped to a D as that is the lowest bass note in the song. Guitar: Epiphone Hummingbird Tuning: DADGBE I’ve also recorded a version which features just my left hand so you can see the positions in more detail. See my other videos for that.
Let It Be (The Beatles) – Let It Be is the twelfth and final studio album released by the English rock band The Beatles. It was released on 8 May 1970 by the band’s Apple Records label shortly after the group’s announced break-up. Most of Let It Be was recorded in January 1969, before the recording and release of the album Abbey Road. For this reason some critics and fans, such as Mark Lewisohn, argue that Abbey Road should be considered the group’s final album and Let It Be the penultimate. Let It Be was originally intended to be released before Abbey Road during mid-1969 as Get Back, but the Beatles were unhappy with this version, which was mixed and compiled by Glyn Johns, and it was temporarily shelved. A new version of the album was created by Phil Spector in 1970 and finally released as Let It Be, serving as the album for the 1970 motion picture of the same name. While three songs from the sessions were released as singles before the album’s release, “Get Back”/”Don’t Let Me Down” and “Let It Be”, the songs were remixed by Spector for the album and “Don’t Let Me Down” was not included. The rehearsals and recording sessions for the album did not run smoothly. The acrimony that began during the recording of the previous year’s White Album resumed soon after the rehearsals began. At one point, George Harrison walked out and quit the group after severely arguing with both Paul McCartney and John Lennon, only to be coaxed back some days later. The film version is famous …
MP3 From TrackItDown www.trackitdown.net Here is the 1st Swift Inc single, a cover of Taylor Swifts Top 10 hit. Featuring on the Dance Nation album back in April 2009 this mix produced by the Sound Selektaz and featuring vocals from Marie Louise stormed up the charts! Watch this space for the exclusive premire of our new Swift Inc track certainly going to be a dance sensation! Dont forget to subscribe to get all the latest tracks, mixes, studio tips and much much more! All The Best …SS
This is my interpretation of ‘Asleep’ by The Smiths. Of course, the original is just piano and vocals, so it was quite a challenge to translate it to guitar and keep the base notes relatively intact. At the time of writing it’s the only guitar version I’ve ever heard of ‘Asleep’, so I’ve nothing to compare it to for accuaracy, but it sounds convincing enough. It’s not the complete instrumental, just an exerpt showing you how to play each section. It’s very nice to play, especially on an acoustic. There’s a part in it where you have to stretch across 5 frets, which can be tricky! Sorry, but you have to do this stretch because the low E is dropped to a D as that is the lowest bass note in the song. I’ll write up the TAB and send it to smithsonguitar.blogspot.com when I get a minute. Guitar: Epiphone Hummingbird Tuning: DADGBE I’ve also recorded a version which features just my left hand so you can see the positions in more detail. See my other videos for that.
THE QUALITY IS VERY VERY SHITTY BECAUSE OF YOUTUBE HAVING THE SCREENS SO FRIKEN WIDE. I DO NOT own any of the clips in this video. The song is This is Halloween by Panic at the Disco, i believe it is a cover, not the original. ^_^ Once again, sorry YOUTUBE IS FUCKED UP AND CAUSED BY VIDEO TO GET STRETCH MARKS. =___=
My interpretation of ‘Asleep’ by The Smiths. I’ve also recorded an acoustic version, but I think my playing is better in this one – not as many squeeky slides, which always sound worse on an acoustic. Of course, the original is just piano and vocals, so it was quite a challenge to translate it to guitar and keep the base notes relatively intact. At the time of writing it’s the only guitar version I’ve ever heard of ‘Asleep’, so I’ve nothing to compare it to for accuaracy, but it sounds convincing enough. It’s not the complete instrumental, just an exerpt showing you how to play each section. It’s very nice to play, especially on an acoustic. There’s a part in it where you have to stretch across 5 frets, which can be tricky! Sorry, but you have to do this stretch because the low E is dropped to a D as that is the lowest bass note in the song. I’ll write up the TAB and send it to smithsonguitar.blogspot.com when I get a minute. Guitar: Gibson Les Paul Studio Tuning: DADGBE If you’re looking for a version with both hands, see my acoustic version.
Marty McFly (Mark Campbell) performs “Johnny B. Goode” this is NOT the movie version (back to the future) when Marty messes up the ending. please enjoy, comment, rate & subscribe!
My interpretation of ‘Asleep’ by The Smiths. I’ve also recorded an acoustic version, but I think my playing is better in this one – not as many squeeky slides, which always sound worse on an acoustic. Of course, the original is just piano and vocals, so it was quite a challenge to translate it to guitar and keep the base notes relatively intact. At the time of writing it’s the only guitar version I’ve ever heard of ‘Asleep’, so I’ve nothing to compare it to for accuaracy, but it sounds convincing enough. It’s not the complete instrumental, just an exerpt showing you how to play each section. It’s very nice to play, especially on an acoustic. There’s a part in it where you have to stretch across 5 frets, which can be tricky! Sorry, but you have to do this stretch because the low E is dropped to a D as that is the lowest bass note in the song. I’ll write up the TAB and send it to smithsonguitar.blogspot.com when I get a minute. Guitar: Gibson Les Paul Studio Tuning: DADGBE If you’re looking for a version with both hands, see my acoustic version.